Friday 20 July 2012

Speculative Fiction, Fantasy, SciFi, Horror: tally 2012

Of the 70 books categorised by AWW reviewers during January to June as either Speculative Fiction, Fantasy, Science Fiction, Horror or Paranormal, 17 are 2012 releases.* These include a self-published novel, as well as several novels from small presses. Because the distinction between Young Adult (YA) and "adult" Speculative Fiction books is not always mentioned by reviewers, and both categories are equally likely to attract awards, both have been tallied here.

Should any of the following books have been included in the list of literary works posted previously? Are there other recent titles in this genre that have not yet been reviewed for the challenge? 

* Disclaimer: some books may be reprints of earlier editions. If that's the case for any of the following, please let me know.

Tally: 17 books, 16 authors, 44 reviews, 29 reviewers, 11 publishers.

Publishers: HarperCollins: 6 books; Allen & Unwin: 2; Pan Macmillan: 1; Penguin 1; Random House: 1; Text: 1; Twelfth Planet Press: 1; ClanDestine Press: 1; Orbit: 1; Walker Books: 1; self-published: 1.

Links to reviews appear on the line(s) after the title.

2012 releases
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What do you think about self-published books like Doll House by Anya Allyn being reviewed alongside books by award-winning writers like Margo Lanagan?

Not reviewed for the challenge during this period:
More titles (suggested by Shelleyrae of Book'd Out blog):

5 comments:

  1. What do you think about self-published books like Doll House by Anya Allyn being reviewed alongside books by award-winning writers like Margo Lanagan?

    I'd say - Good on her for having the guts to do it alone!

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  2. Many self-published books are as good as (or sometimes better) than traditionally published books. Take Twilight and Amanda Hocking's My Blood Approves series. Both have a similar concept, but Amanda Hocking's is far more addicting.

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  3. I personally think it's a wonderful thing, seeing self-published writers excelling at their craft and being recognized for being the creative mind behind amazing stories. And furthermore, for believing in their book when no one else did. Who can possibly find fault in that?

    Does it really matter so much WHO publishes a story (be in an individual, a small press or a big six)... or is the more important part the fact that a story was published period and is now being enjoyed by readers?

    My feeling is this: once the literary community can push past preconceived notions (read that as my saying biases) ... everyone wins.

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  4. Thanks for your response, J Anne, Anonymous and Ashmp. Do you know of any SpecFic self-published books of literary merit written by Australian women and published this year that could have been reviewed for the challenge?

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  5. Add Sin's Dark Caress by Tracey O'Hara, The Kiss of the Goblin Prince by Shona Husk and Keri Arthur's Darkness Devours - all released this year. The last two have not been reviewed but I am writing a review of the first at the moment.

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